Press & ReviewS
“…hauntingly accompanied by composer David Rhodes and beguilingly performed…”
— Robert Hurwitt of the San Francisco Chronicle [‘maid]
“Composer David Rhodes…creates tension with his modernist music.”
— Chad Jones of the Oakland Tribune [‘maid]
“Composer and pianist David Rhodes has created an ethereal score for the production.”
— Richard Connema of Talkin’ Broadway [‘maid]
“…with the help of a strong cast, good design work and David Rhodes’ subtly enticing score…”
— Robert Hurwitt of the San Francisco Chronicle [Slaughter City]
“… David Rhodes tends toward devious dissonance…”
— Tom W. Kelly of the San Francisco Bay Times [One Big Lie]
…the heady, difficult melodies of composer David Rhodes.
— Robert Hurwitt of the San Francisco Chronicle [One Big Lie]
“Composer Rhodes provides accompanimEnt at a piano…to MesmErizing, mystical passages…and somE thrillingly wistful-expectant duets…”
— Robert Hurwitt of the San Francisco Chronicle [‘maid]
“…the most entertaining aspect of Rhodes’ music is watching him open the top of the spinet piano and pluck and pound on the strings to get just the right sound.”
— Chad Jones of the Oakland Tribune [‘maid]
“…all in rhythm to David Rhodes’ haunting piano.”
— Michael Scott Moore of the San Francisco Weekly [‘maid]
“Rhodes’ score is accessible without bending to pop conventions.”
— Chad Jones of the Oakland Tribune [One Big Lie]
“Rhodes’ tunes are inventive, at times catchy…”
— Robert Hurwitt of the San Francisco Chronicle [One Big Lie]